2023人權藝術生活節
The 2023 Human Rights Festival
舞蹈《我們在安靜中跳舞》
Dance｜Dance in Silence
演出資訊Information
演出時間 │12/9, Sat. 15:30
12/10, Sun. 15:30
*兩場次皆有演前導聆(15:15)與演後座談
*Each performance will have a Pre-Performance Talk (15:15) and a Post-Performance Talk.
演出地點 │ 禮堂Auditorium
演出團隊 │ 大可創藝Duck Art Studio
節目介紹Program Introduction
《我們在安靜中跳舞》演出，背後是長年期的「聽障共創計畫」，這不只是一次聽障藝術美學的探索，同時也是以藝術實現共融生活的實驗場域。
十位聽障表演者與十二位聽人劇組人員合作，走到現在已經三年了，我們長時間建立緊密、信任的合作關係，從彼此的生理差異出發，探索我們如何面對這個共同的世界，又是否可能跨越差異，真正實現共融多元的藝術、生活圈。
兩年的所知所感，成為藝術表達的核心題材，跳脫聽人本位的創作方式，尋找貼近聽障藝術工作者感知模式的創作方法。我們期待聽障藝術的獨特美學思維被更多人看到。藉由這個共創計畫，也希望為無論藝術界或是社會中，共融平權的群體生活，豎立另類典範。
「很久很久以前，人類想要建一座能夠通天的高塔。天神知道後，對人類的狂妄很生氣，就將人類的語言打亂，讓他們再也沒辦法理解彼此的意思。」
巴別塔的故事，提出人與人的隔閡。擁有不同理解方式的每個人，探尋著彼此的差異，之間的距離是否可能因為某種共鳴而縮短呢？我們有辦法理解彼此嗎？又要付出多少努力和代價呢？
這次參與創作的十位聽障表演者，除了如林靖嵐靠著後天努力自學舞蹈，都無專業的藝術訓練背景。由於劇組內聽障之間、聽人與聽障之間的溝通方式相當複雜，有自然手語、文字手語、口語族、讀唇語……等。大家跨越溝通障礙合作的過程，如何接納彼此一起共事，彷彿神話降臨在當代，成為演出的核心題材。
Behind the performance of "Dance in Silence"is the long-term "Hearing Impairment Co-Creation Project". This is not only an exploration of art aesthetics for the hearing impaired, but also an experimental field for achieving inclusive life through art.
It has been three years since ten hearing-impaired performers collaborated with twelve hearing crew members. We have established a close and trusting cooperative relationship for a long time, starting from each other's physiological differences and exploring how we face this common problem. world, and whether it is possible to transcend differences and truly realize an inclusive and diverse art and life circle.
Two years of knowing and feeling have become the core themes of artistic expression. We break away from the hearing-oriented creative method and find creative methods that are close to the perception mode of hearing-impaired artists. We hope that the unique aesthetic thinking of hearing-impaired art will be seen by more people. Through this co-creation project, we also hope to set an alternative model for inclusive and equal rights group life, both in the art world and in society.
"A long time ago, humans wanted to build a tower that could reach the sky. When the gods found out, they were very angry at humans' arrogance, so they disrupted humans' language so that they could no longer understand each other."
The story of the Tower of Babel brings out the barriers between people. Everyone with different ways of understanding explores the differences between each other. Is it possible that the distance between them can be shortened because of some resonance? Can we understand each other? How much effort and cost will it take?
The ten hearing-impaired performers who participated in this creation have no professional art training background, except for Lin Jinglan who learned dance by herself through hard work. Because the communication methods among the hearing-impaired and between the hearing-impaired and the hearing-impaired in the crew are quite complicated, there are natural sign language, written sign language, spoken language, lip reading, etc. The process of everyone overcoming communication barriers to cooperate, and how to accept each other and work together, seems like a myth has descended into the contemporary era, becoming the core theme of the performance.
人權議題之關聯
臺灣青少年近年的心理健康不斷下滑，青年世代的聽障族群在社會中面臨著更大的困境。隨著科技進步，透過手機文字溝通，聽障的生活比以前便利，人和人之間的距離卻不會因此消除。族群的共融，仍舊以一顆認同多元與彼此包容的心為底蘊。
秉持「文化參與」的精神，本計畫將藝文場景的受眾拓展到過往較少被照顧到的聽障族群，有機會成為藝術活動的建構者與參與者。我們從聾人／聽人的「差異」出發，在諸多不同之中看到作為「人」的共通性，由此思考相互理解與尊重。藉由演出共創，聽障人士嘗試以不同形式表達自我，有助於未來生涯的發展。研發出的聽障共創系統，讓此系統專業化，未來能夠運用此團隊的能量，運用於社會大眾素人，讓藝文的能量進入更多聽障的生活。
此共創計畫，自2020年開始發展，由聽人導演王珩、國際級聽障藝術家林靖嵐，攜手9位聽障／聾人表演者，跨越生理上的差異，尋找聽障／聾人獨特的感知和表達，共譜青年聽障族群在社會中如何看待自己，以及希望如何被看待，一同尋找生命的動能
The mental health of Taiwanese teenagers has been declining in recent years, and the younger generation of hearing-impaired individuals is facing greater difficulties in society. With the advancement of technology and text communication through mobile phones, life for the hearing-impaired has become more convenient than before, but the distance between people may not be eliminated. The integration of ethnic groups is still dependent on a heart that recognizes diversity and tolerates each other.
Adhering to the spirit of "cultural participation", this project aims to expand the audience of the art scene to hearing-impaired groups who have been less taken care of in the past, giving them the opportunity to become creators and participants of art activities.
We start from the "differences" between deaf/hearing people, see the commonality of "human beings" among the many differences, and think about mutual understanding and respect from this. Through co-creation of performances, hearing-impaired people try to express themselves in different ways, which will help their future career development. The developed hearing-impaired co-creation system has made this system professional. In the future, the energy of this team can be used for ordinary people in society, allowing the energy of art and culture to enter the lives of more hearing-impaired people.
This co-creation project has been developed since 2020. Hearing director Wang Heng and international hearing-impaired artist Lin Jinglan join forces with 9 hearing-impaired/deaf performers to transcend physical differences and discover the uniqueness of hearing-impaired/deaf people.
The perceptions and expressions of the hearing-impaired young people collectively describe how they perceive themselves in society and how they hope to be treated, thus finding a new momentum in life.
團隊介紹Performer Introduction
大可創藝Duck Art Studio
大可創藝成立於2020年，是全台灣少見以藝術行政人才為核心的非營利演藝團隊。大可由「奇」字拆解而來，象徵藝術的獨立精神和創意樣貌。
我們相信，當表演藝術退居娛樂的後線，讓藝術走進社會、於社會功能的面向上發揮影響力會是表演藝術未來的道路。
我們致力於發展永續的藝術經營模式，在藝術創新實驗與社會需求面上雙向扎根，因此著重於人才培育扶植，以及文化平權為精神的社會參與。目前核心項目包括：嬰幼兒表演藝術、聽障表演藝術、人才交流A++點子學校計畫。
我們目標成為藝術家參與社會的後盾，並建立一個藝術得以介入社會與公共政策的體系，成為社會資源與藝術家之間的橋樑。
Founded in 2020, Duck Art Studio is a rare non-profit performing arts team in Taiwan with arts administrative talents as its core. It can be broken down from the word "奇", which symbolizes the independent spirit and creative appearance of art.
We believe that when performing arts take a backseat to entertainment, allowing art to integrate into society and influence social functions will be the future direction for performing arts.
We are committed to developing a sustainable art management model that is rooted in both artistic innovation and experimentation and social needs. Therefore, we focus on talent cultivation and support, as well as encourage social participation with an emphasis on cultural equality. The current core projects include infant and toddler performing arts, hearing-impaired performing arts, and Talent Exchange A++ Idea School Projects.
Our goal is to become a support system for artists to engage with society and establish a framework where art can intervene in society and public policies, serving as a bridge between social resources and artists.
其他說明Notes
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節目長度：80分鐘
Program Length: 80 minutes -
建議觀賞年齡：12歲以上
Recommended age: 12 years old and above -
使用語言：口語、手語
Languages: Spoken, Sign Language -
本節目聾人與聽人皆適合觀賞
This program is suitable for both the hearing impaired and the hearing people.