2023人權藝術生活節
The 2023 Human Rights Festival
展覽《有人‧有影‧有跡──潘小俠 × 高仲明對照展》
Exhibition｜Shooting as Disclosing–PAN Hsiao-Hsia x KO Chung -Ming
展覽資訊Information
日期Date │12/02/2023 - 01/14/2024
開幕Opening│12/02 15:30
地點Venue │仁愛樓2樓 展覽空間 Detention Unit of Ren-Ai Building 2F
時間Time │09:00~17:00（週一休館Closed on Mondays）
最後入場時間Recommended Last Entry Time：16：30
＊本展覽不需索票，請於開放時間入場參觀。
This exhibition does not require tickets. Please enter the exhibit by 16:30.
展覽介紹 Introduction
在閩南話和客語裡，要表示「子虛烏有」、「無影無蹤」，寫成漢字會是「無影無跡／迹」。這次人權藝術展的展覽名稱適其反，意欲借此提出反諷。
綜觀人類發展史這條漫漫長河，淨是強加裁減過濾的歷史。一旦社群中出現主事者不想承認或者面對的人或事，掌權者往往就會無所不用其極，使勁抹去其形影行止，企圖讓他們從此在歷史、現實中消聲匿跡，再也不留下曾經存在的痕跡。
無影無蹤，等同於不復被記憶，真實也因而淪為子虛烏有，彷彿從未發生。
儘管極權者或有心人改文字史竄改共同記憶，所幸以人為本的攝影，見證了凡有人存在，便有影有跡，連動的歷史和記憶，不可更不容磨滅。
同樣攝影記者出身，長期關懷人權議題的已故台灣潘小俠與原籍香港的高仲明，不斷穿梭在街頭與偏鄉的第一現場，拍攝了無數的受難者與弱勢者。
他們穿越千禧年前後的系列作品，挾紀實性、故事性及藝術性於一身。展覽中交相對照呼應下，不僅提供了影像時代、時人第一手的實證，進而形成了對實情、時事最真情的扣問。
In different Taiwanese dialects, to mean nothing-at-all or none-sense , it literally spells in Chinese characters as "no shadow, no trace." The title of this art exhibition is a satire, because we believe that the truth often lies in the seemingly void.
Official histories of human societies have always been blurred, censored, edited, filtered and twisted. Once there is someone or something not politically incorrect, those who in power will always deny the confrontist and their deeds by taking all measures to eliminate them out of history.
For whatever once lived but with no trace left, it is equivalent to no longer being remembered. Moreover, the reality is reduced to nothingness, as if it never happened.
Although totalitarians with deliberate intentions may manipulate the written history to tamper with the collective memory, fortunately, photography defending core values plays the role as the witness to endorse the history and to consolidate memory indelible.
Both the late PAN Hsiao Hsia from Taiwan and GO Chung Ming, originally from Hong Kong, were photojournalists of integrity and good wills. They have always been concerned with human rights issues. They set feet in the dark corners and distant areas to photograph victimized and vulnerable people.
Traveling across the millennium, their series of works well blend photojournalism, storytelling and artistry altogether. Therefore, this exhibition is not only meant to submit the first-hand physical evidence of people and their contemporary, but also to encourage visitors to raise questions about the truth behind the scenes.
潘小俠（PAN Hsiao-Hsia, 1954—2023）
潘小俠(1954 —2023)，紀實攝影家，曾任《自立晚報》攝影記者，長期以攝影關注臺灣土地與社會運動，歷時逾40年 不輟。其作品涵蓋原住民、城市底層人物、二二八事件及白色恐怖政治受難者等，並長期對臺灣美術家、作家進行系列紀錄，出版有《蘭嶼記事》、《艋舺-醉巡》丶《白色烙印》、《見證二二八》、《台灣美術家一百年》、《台灣作家一百年》等，攝影作品獲國立臺灣美術館、國家攝影文化中心、臺北市立美術館等典藏，並於2017年獲頒第40屆吳三連獎藝術獎。其畢生紀實影像豐富臺灣文化與歷史記載。
Pan, Hsiao Hsia (1954-2023) was an acclaimed Taiwanese documentary photographer. His photographer career spanned over 40 years. His works cover Taiwan social and human right movements, especially indigenous peoples and victims of the February 28th Incident and white terror history, etc. In addition, He also documented the development of Taiwanese artists and writers. He published The Photographic Reportage of Orchid Island and Manga-Drunk Patrol, Taiwan White Terror Human Rights History, Testimonies of 228, One Hundred Years of Taiwanese Artists and One Hundred Years of Taiwanese Writers. His photographs have been collected by the National Taiwan Museum of Fine Arts, the National Center for Photography and Culture, and the Taipei Fine Arts Museum. In 2017, he was awarded the 40th Wu San-Lian Award for his great achievement in art.
高仲明（KO Chung-Ming, 1981- ）
高仲明從事新聞攝影20年，一直以香港為基地。2019年，香港爆發「反修例運動」，他以為自己仍可以在衝突場面中來去自如，記錄抗爭中的人與事。可惜歲月不仁，他行動遲緩，只能在催淚煙中食塵。高仲明因為對催淚煙嚴重過敏，先後兩度入院。但他不甘心缺席這場空前的抗爭，遂以警暴為主題，拍攝受害者的人像照。《港傷》入圍「Sony World Press Photography 2020」Documentary——專業組的最後三強。
高仲明在2021年移居台灣，開始記錄在2019年後流亡、或移民的香港人，並在2022年4月在台北舉行個人展覽「後時代革命」。其後他與台灣電影美術指導、金馬奬得主李天爵合作，把關於香港2019年抗爭運動的三輯作品，《港傷》、《慢性港傷》和《後時代革命》重新策展，在台中舉行《休止符/REST》展覽。當中《慢性港傷》獲2021年卓越新聞奬系列新聞攝影獎。
高仲明關注的議題包括貧窮、無家者、小數族裔等。他的作品《毫宅——香港劏房戶的居住狀況》在2012年獲「WMA 大師攝影獎」。2016年起，他成為香港樂施會的義務攝影師，拍攝該會在羅興亞、坦桑尼亞、馬拉維、莫桑比克等地的人道救援項目。集結十年來拍攝的無家者系列，高仲明在2021年5月舉行《放逐》個展，作為告別香港前的小結。
Ko Chung Ming is a photojournalist born and raised in Hong Kong. In the 2019 Hong Kong Protests, he attempted to photograph the conflicts and emotions like what he has been doing in the past 20 years. However, Ko found it a bit ambitious due to his age and poor physique. Overwhelmed by post-exposure symptoms from tear gas, he took another path and recorded police brutality by taking portraits of the casualties. "Wounds of Hong Kong" won the Sony World Press Photography 2020 Documentary - Professional competition.
Ko migrated to Taiwan in 2021 and began to record the political exiles and diaspora from Hong Kong. "Beyond the Revolution of Out Times," held in Taipei in April 2022, was his first solo exhibition in Taiwan. Afterward, he collaborated with art director LEE Tian-jue. Aggregated with "Wounds of Hong Kong" and "The Chronic Wounds of Hong Kong," the Hong Kong Protest Trilogy was curated into a series of art installations. "REST" was held in Taichung in late 2022. "The Chronic Wounds of Hong Kong" won Excellent Journalism Awards 2021, Photo Story Section.
On regular days, Ko focuses on poverty, homelessness, and ethnic minorities. His work "Cent Maison——Living Environment of the Poor in Hong Kong" won the WYNG Masters Award 2012. Ko has become a volunteer photographer for Oxfam Hong Kong since 2016. He joined Oxfam's humanitarian program in Rohingya, Tanzania, Malawi, Mozambique, and other countries. His works on homelessness over a decade resulted in the solo exhibition "Exiled," held in May 2021 in Hong Kong as a farewell to his home city.
策展人｜謝佩霓 Curator｜HSIEH Pei-Ni
策展人／藝評人，曾於亞、歐、美、非各洲求學、執教、工作，跨領域專業資歷累積達卅年。 法國藝術與文學騎士、義大利共和國功勳騎士、捷克斯洛伐克共和國國家獎章得主。曾於美、法、德、澳等國擔任官方訪問學人。
曾任臺北市文化局局長、臺北文化基金會執行長、高雄市立美術館館長、國際藝評人協會臺灣分會理事長、世界設計之都總策劃、白晝之夜總策劃、臺北國際書展主題國藝術總監、威尼斯建築雙年展臺灣館策展人。
Born and now based in Taiwan, Peini Beatrice HSIEH, has extended her career as a curator, critic, and researcher in multi-disciplines and in different continents over the last three decades. Decorated with Cavalière, Ordine al Merito della Repubblica Italiana and Chevalier, Ordre des Arts et des Lettres, France, HSIEH also received the National Masarek Medal of Distinction Service from former Republic of Czechoslovakia. She is now the board director of NGOs TAICCA, The Cultural Taiwan Foundation and C-Lab. She is the former Commissioner for Cutural Affairs of Taipei, President of UNESCO-AICA-Taiwan and director of Kaohsiung Museum of Fine Arts.
注意事項
＊本展覽不需索票，請於開放時間入場參觀。
This exhibition does not require tickets. Please enter the exhibit by 16:30.