2023人權藝術生活節
The 2023 Human Rights Festival
漫遊式劇場 《不易遺忘的聲音們》
Audio Walk Indelible Stories
《不義而非》｜林文尹
Unjust Not Injustice｜LIN Wen-Yin
基本資訊Information
- 日期｜12/9, Sat.～12/17, Sun.
- 開放入場時間｜12:00～16:30
＊開放時間內可至現場體驗節目內容 - 建議最後入場時間｜16:00
- 起點｜新店區安康安華路口
- 節目時長｜節目長度約45分鐘，實際體驗時間會依個人操作狀態與步行速度而有落差。
- Date｜12/9, Sat.～12/17, Sun.
- Opening Hours｜12:00～16:30
- Recommended Last Entry Time｜16:00
- The program length is approximately 45 minutes. The actual experience time may vary based on individual operating conditions and walking speed.
- Starting Point｜Intersection of Ankang Road and Anhua Road,Xindian District
《不易遺忘的聲音們》策展理念Indelible Stories Curatorial Concept
聲音，作為人類五感之一，既可以造成時間性，也可以產生空間。然而曾經在不義遺址所發生的事件已經過去，但是卻透過人們的口傳、書寫而留了下來，那些被迫遺忘卻不易遺忘的，像是一根根髮絲，漂在記憶的湖面上。本計畫嘗試每年將部分不義遺址以地景音場的方式呈現，讓觀眾透過手機下載節目，自行到現場體驗，以聲音作為凝視的方式，並聆聽創作者對該遺址的過去再思考。今年推出的兩個作品分別為《&我一起移動的瞬間》世世篇、《不義而非》。本計畫期望每年都可新增至少一個以上的遺址作品並慢慢累積，直到這些聲音都被聽見、記得。
Sound, as one of the five human senses, can create both time and space. This project attempts to use the method of landscape sound field to bring the events that happened at the Injustice Site and have been preserved through people’s oral transmission and writing through mobile phones as a carrier to allow the audience to experience it live, allowing those who have been forced to forget but have What is not easy to forget is like a strand of hair floating on the lake of memory.
This project attempts to present some unjust sites every year in the form of landscape soundstages, allowing the audience to download the program on their mobile phones, experience the site on their own, use sound as a way of gazing, and listen to the creator's rethinking of the site's past. . The two works released this year are "《& I, the Moments of being Dis-Stance Together — Generations Chapter》" and "Unjust". This project hopes to add at least one more work every year, gradually accumulating these voices until they are heard and remembered by all
本劇場Burn theatre
前身為梗劇場，曾製作過一演員一觀眾的作品，也曾策展製作過100個節目的展節，擅長以顛覆及不合常規的創意，且打破制式劇場空間，試圖發掘表演藝術的無限可能。2021年正式改名為本劇場，並開始以手機創作平台Chito趣淘製作各類非劇場空間的演出，企圖在疫情下重新定義劇場演出，回到劇場之本。
Formerly known as Geng Theater, it has produced works with one actor and one audience, and has curated and produced 100 program exhibitions. It excels in using subversive and unconventional creativity, breaking the standard theater space, and trying to explore the infinite possibilities of performing arts. In 2021, the theater was officially renamed and began to use the mobile creation platform Chito to produce performances in various non-theatre spaces in an attempt to redefine theater performances and return to the essence of theater during the epidemic.
策展人|張踖米 Curator｜Jimi ZHANG
劇場工作者，時而書寫文字，1994年開始從事劇場演出以及創作至今。除了一般表演形式外，自2008年開始嘗試接觸創作各類觀演關係的演出活動，以及在各類非典型空間演出，近年開始接觸手機形式的劇場演出，試圖探索劇場演出的多元可能性。現為本劇場負責人、臺北市藝術創作者職業工會(Artcreator)副理事長、小劇場學校(Little Theatre School)課程師資。
Jimi ZHANGh has been involved in theater performance and creation since 1994. He has been trying to create various kinds of performance activities with audience relationships since 2008, as well as performing in various kinds of atypical spaces.In recent years, He have begun to engage in mobile phone-based theater performances, trying to explore the diverse possibilities of theater performances. He is currently the person in charge of the theater, the vice chairman of the Taipei Art Creators Union (Art Creator), and a course teacher at the Little Theater School.
《不義而非》 節目介紹 “Unjust Not Injustice” Introduction
原安坑刑場位於新店安華路，即新店區第三公墓。漫步在這「不義遺址」，並無明確的歷史牌碑，只有一座一座的墳，而大概，沒有一個在這裡被槍斃的屍體埋在此處。
不遠處，是安坑交流道，來來去去的車輛在交通號誌的提示下呼嘯而過。物換星移，四時俱常，現在走進這條路，有工廠作業的聲音、有蟲鳴、有鳥叫、有水溝流水聲、有狗吠聲，但──沒有槍聲。
想像著一群遊魂漫遊在某處，想要找回他曾經的日常及生活方式，卻不是被強加於自身的生活方式，甚而死去的方式。遊魂的肉體早已腐朽，也許只能化成聲音──或工廠作業的聲音、或蟲鳴、或鳥叫，或溪水潺潺、或狗吠，或槍聲，或尋找一群黑猩猩非得吃掉疣猴的理由。
The original Ankeng execution site is located on Anhua Road, Xindian, and the Xindian Third Cemetery. Strolling through this "site of injustice," there are no clear historical monuments, only graves one after another, and probably not a single body shot here is buried here.
Not far away is the Ankeng Interchange, with vehicles coming and going whizzing by under the prompts of traffic signals. Things change, walking on this road now, one hears the sounds of factory operations, the chirping of insects, the chirping of birds, the sound of water flowing in ditches, and the sound of dogs barking, but there is no sound of gunshots.
Imagine a group of wandering souls wandering around, trying to find their daily routine and way of life, but it is not a way of life or even a way of death that was imposed on them. The body of the wandering soul has long since decayed, and may only turn into sounds - the sound of factory operations, the chirping of insects, the chirping of birds, the gurgling of streams, the barking of dogs, the sound of gunshots, or looking for a reason why a group of chimpanzees have to eat colobus monkeys.
創作者 林文尹 Artist｜Wen-Yin Lin
臺灣藝術大學跨域表演藝術研究所
東華大學創作與英語文學研究
臺灣藝術大學戲劇系
第二十九屆金穗獎最佳演員
第十五屆台新藝術獎入圍導演
2019「中華電信MOD微電影金片子」入圍編劇
1993年加入「臨界點劇象錄」critical point，而後陸續擔任演員、編劇、導演、行政、幕後工作人員、聲音演員以及戲劇推廣教師等，目前為國中表演藝術科教師、自由劇場工作者。
In 1993, he joined "Critical Point Theater" and then successively served as an actor, screenwriter, director, administrator, stage crew, voice actor, and drama promotion teacher. He is currently a performing arts teacher at a junior high school and a freelance theater worker.
策展人｜張踖米
創作者｜林文尹
吹哨者｜張𠽤米
視覺設計｜陳瑞秋
聲音統籌｜蔣韜
專案製作｜楊喆甯
其他說明Note
- Chito使用說明注意事項
本系列節目需自備耳機與2017年後出品的手機，為求節目體驗順暢，建議預留手機空間300M以上參與本節目需於手機下載APP，演出結束即可刪除。
Please bring your own headphones and a mobile phone manufactured after 2017 with at least 300MB of available storage for a seamless program experience. You can delete the app after the program concludes.
- 節目時長｜節目長度約45分鐘，實際體驗時間會依個人操作狀態與步行速度而有落差。
The program length is approximately 45 minutes. The actual experience time may vary based on individual operating conditions and walking speed.